The Society for Seventeenth-century French Studies
SEVENTEENTH-CENTURY
FRENCH STUDIES
| Volume 24 (2002) | edited by Jan Clarke |
CONTENTS
| page | ||
| DELPHINE DENIS | Les Chroniques du samedi de Madeleine de Scudéry: du recueil à l'oeuvre collective | 1 |
| RICHARD PARISH | 'Je t'aime moi non plus': Disjunction and the Discourses of Love in the Seventeenth Century | 17 |
| MARIE-CLAUDE CANOVA-GREEN | Les Triomphes de Louis le Juste (1649): une épopée du discontinu | 29 |
| ANIA GUINI-SKLIAR | La Pierre à bâtir dans l'architecture parisienne au XVIIe siècle | 43 |
| KATHRYN HOFFMANN | Sutured Bodies: Counterfeit Marvels in Early-Modern Europe | 57 |
| AMY WYGANT | D'Aubignac Demonologist, II: St Anthony and the Satyr | 71 |
| MICHAEL HAWCROFT | Seventeenth-Century French Theatre and its Illustrations: Five Types of Discontinuity | 87 |
| WILLIAM BROOKS | Intervalles, Entractes and Intermèdes in the Paris Theatre | 107 |
| JULIA PREST | The Gendering of the Court Ballet Audience: Cross-Casting and the Emergence of the Female Ballet Dancer | 127 |
| DERVAL CONROY | The Cultural Politics of Disguise: Female Cross-Dressing in Tragicomedy (1630-1642) | 135 |
| JOSEPH HARRIS | Disruptive Desires: Lesbian Sexuality in Isaac de Benserade's Iphis et Iante (1634) | 151 |
| KATHERINE IBBETT | From Martyr to Mourner: the Politics of the Un-Extraordinary | 165 |
| H. T. BARNWELL | 'Moins roi que pirate': Some Remarks on Racine's Mithridate as a Play of Ambiguities | 179 |
| MARTIAL POISON | La Comédie fin-de-siècle—une dramaturgie en rupture: des usages du corps au corps hors d'usage | 191 |
| EMMA GILBY | Being Discrete: the Singularity of Judgement in the Correspondance of Racine and Boileau | 209 |
| DENIS AUGIER | Un Alchimiste en voie de disparition: le problème du philosophe dans Le Page disgracié de Tristan L'Hermite | 217 |
| HALL BJORNSTAD | 'La Continuité dégoûte en tout': Some Notes on Pascal's Apologetics of Discontinuity | 229 |
| DAVID McCALLAM | Une forme frondeuse: the Function of Discontinuity in La Rochefoucauld's Maximes | 239 |
| EDWARD JAMES | Pierre Bayle, Atheist or Christian? | 249 |
| BARRIE WALTERS | Bayle and Moréri: British Geographical Entries in Two Seventeenth-Century French Dictionaries | 259 |
| DAVID HARRISON | Comic Discontinuity in the Mémoires of Saint-Simon | 271 |
| DERVAL CONROY | In the Beginning Was the Image: Feminist Iconography and the Frontispiece in the 1640s | 277 |