| Ayres-Bennett, Wendy |
Negative Evidence: Or Another Look at the Non-Use of Negative ne in Seventeenth-Century French. |
XLVIII/1 (1994), 63 |
| Bannister, Mark |
The Crisis of Literary Patronage in France, 1643-1655. |
XXXIX/1 (1985), 18 |
| Barber, W.H. |
A seventeenth-century view of French literature. |
II/2 (1948), 140 |
| Barbier, A. |
L'Ecole de 1660, à propos de quelques ouvrages récents. |
I/1 (1947), 27 |
| Dubois, Elfrieda T. |
The Education of Women in seventeenth-century France. |
XXXII/1 (1978), 1 |
| Howells, Robin |
The Secret Life: Marana's Espion du Grand-Seigneur (1684-86). |
LIII/2 (1999), 153 |
| Levi, A.H.T. |
The Reception of Greek Sources in Late Seventeenth-Century France. |
XLII/4 (1988), 408 |
| Lough, John |
Locke's list of books banned in France in 1679 |
V/3 (1951), 217 |
| Palmer, J.N.J. |
The function of 'le vraisemblable' in French classical aesthetic theory. |
XXIX/1 (1975), 15 |
| Brooks, W.S. |
The Théâtre du Marais, Quinault's Comédie sans comédie, and Thomas Corneille's Illustres ennemis. |
XXVII/3 (1973), 271 |
| Clarke, Jan |
The Function of the Décorateur and the Association of the Crosnier Family with Molière's Troupe and the Guénégaud Theatre. |
XLVIII/1 (1994), 1 |
| Clarke, Jan |
Illuminating the Guénégaud Stage: Some Seventeenth-Century Lighting Effects. |
LIII/1 (1999), 1 |
| Garapon, Robert |
Les Dramaturges français, les acteurs et le public au XVIIe siècle. |
XXVII/1 (1973), 1 |
| Hall, Kathleen M. |
How to get the corpse off the stage. |
XXVIII/3 (1974), 282 |
| Knight, R.C. |
A minimal definition of seventeenth-century tragedy. |
X/4 (1956), 297 |
| Lawrenson, T.E. |
The théâtre étagé in the seventeenth century. |
IV/1 (1950), 55 |
| Lough, John |
The size of the theatre public in seventeenth-century Paris. |
I/2 (1947), 143 |
| Lough, John |
French actors in Paris from 1612 to 1614. |
IX/3 (1955), 218 |
| Perman, R.C.D. |
The influence of the Commedia dell'arte on the French theatre before 1640. |
IX/4 (1955), 293 |
| Scott, Virginia |
The Fall of Phaeton: The Son of the Sun God in the Theatre of the Sun King. |
XLVIII/2 (1994), 143 |
| Titmus, C.J. |
The influence of Montchrétien's Ecossoise upon French classical tragedies with subjects from English history. |
X/3 (1956), 224 |
| Alcover, Madeleine |
Les Lieux et les temps dans L'Illusion comique. |
XXX/4 (1976), 393 |
| Charlton, D.G. |
Corneille's Dramatic Theories and the 'Didacticism' of Horace. |
VI/1 (1952), 1 |
| Chauvire, Roger |
Doutes à l'égard de Polyeucte. |
II/1 (1948), 1 |
| Clarke, David |
Pierre Corneille's Occasional and Circumstantial Writings Relating to Cardinal Richelieu (1631-1643). |
XLI/1 (1987), 20 |
| Hawcroft, Michael |
Corneille's Clitandre and the Theatrical Illusion. |
XLVII/2 (1993), 142 |
| Howe, A. and J. Trethewey |
Pierre Corneille's Le Véritable and some problems of literary history. |
XXVI/3 (1972), 266 |
| Kirkness, W. John |
The Language of Racine's Alexandre and its Lexical Links with Cinna and Attila. |
XLII/1 (1988), 33 |
| Lapp, John C. |
Corneille's Psyché and the metamorphoses of love. |
XXVI/4 (1972), 395 |
| Lebègue, Raymond |
Remarques sur Polyeucte. |
III/3 (1949), 212 |
| Nelson, Robert J. |
The dénouement of Le Cid. |
XIV/2 (1960), 141 |
| Newmark, Peter |
A new view of Horace. |
X/1 (1956), 1 |
| Scott, J.W. |
The 'irony' of Horace. |
XIII/1 (1959), 11 |
| Voisine, Jacques |
Corneille vu par les Anglais de 1800 à nos jours. |
III/3 (1949), 219 |
| Yarrow, P.J. |
A further comment on Polyeucte. |
IV/2 (1950), 151 |
| Calder, Ruth |
Molière, Misanthropy and Forbearance: Eliante's 'Lucretian' Diatribe. |
L/2 (1996), 138 |
| Clarke, Jan |
The Function of the Décorateur and the Association of the Crosnier Family with Molière's Troupe and the Guénégaud Theatre. |
XLVIII/1 (1994), 1 |
| Cronk, Nicholas |
The Play of Words and Music in Molière-Charpentier's 'Le Malade imaginaire'. |
XLVII/1 (1993), 7 |
| Gill, A. |
'The doctor in the farce' and Molière. |
II/2 (1948), 101 |
| Gossip, C.J. |
The Initial Success of Le Misanthrope. |
XXXIX/2 (1985), 143 |
| Hall, H.G. |
Molière, Chevreau's École du sage, and Joseph Hall's Characters. |
XXIX/4 (1975), 398 |
| Hawcroft, Michael |
French Classical Drama and the Tension of Utterance: Racine, Molière, and Madame de Saint-Balmon. |
LI/4 (1997), 395 |
| Hope, Quentin M. |
Molière's curtain lines. |
XXVI/2 (1972), 143 |
| Howarth, W.D. |
The theme of Tartuffe in eighteenth-century comedy. |
IV/2 (1950), 113 |
| Howarth, W.D. |
Dom Garcie de Navarre or Le Prince jaloux? |
V/2 (1951), 140 |
| Howarth, W.D. |
Dom Juan reconsidered: a defence of the Amsterdam edition. |
XII/3 (1958), 222 |
| Hunt, H.J. |
Célimène, coquette or coquine? |
III/4 (1949), 324 |
| Maskell, David |
Molière's L'Etourdi: Signs of Things to Come. |
XLVI/1 (1992), 12 |
| Maskell, David |
Corneille's Examens Examined: The Case of Horace. |
LI/3 (1997), 267 |
| Maskell, David |
Terence, Tabarin and Molière's Fourberies de Scapin. |
LVI/3 (2002), 303 |
| Moore, W.G. |
Molière studies: the present position. |
I/4 (1947), 291 |
| Moore, W.G. |
A new edition of Molière. |
XXVII/2 (1973), 165 |
| Nelson, Robert J. |
L'Impromptu de Versailles reconsidered. |
XI/4 (1957), 305 |
| Parish, Richard |
Le Misanthrope: Des raisonneurs aux rieurs. |
XLV/1 (1991), 17 |
| Peacock, N.A. |
The Comic Ending of George Dandin. |
XXXVI/2 (1982), 144 |
| Potts, D.C. |
Molière's Dom Juan and the Trickster: A Coherent Theatrical Reading. |
XLIX/2 (1995), 142 |
| Shaw, David |
Molière's Temporary Happy Endings. |
XLV/2 (1991), 129 |
| Yarrow, P.J. |
A reconsideration of Alceste. |
XIII/4 (1959), 314 |
| Askew, D.A. |
Pascal and Saint-Ange: problems of the Récit de deux conférences. |
XXIV/1 (1970), 5 |
| Barnes, Annie |
La Table des titres de la copie des Pensées est-elle de Pascal? |
VII/2 (1953), 140 |
| Barnes, Annie |
La Conférence à Port-Royal et les liasses de Pascal. |
X/3 (1956), 231 |
| Boyle, Nicholas |
A Problem in the Interpretation of Pascal's Wager. |
XXXIV/1 (1980), 20 |
| Cole, John R. |
Pascal's Plans for the Apology: Two Successive Conceptions in the Two-Column Table. |
L/1 (1996), 15 |
| Foster, Brian |
Pascal's use of abêtir. |
XVII/1 (1963), 1 |
| Foster, Brian |
Pascal's abêtir: a postscript. |
XVIII/3 (1964), 244 |
| Gilby, Emma |
Reflexivity in the Pensées: Pascal's Discourse on Discourse. |
LV/3 (2001), 315 |
| Haig, Stirling |
A further note on Pascal's abêtir. |
XVIII/1 (1964), 29 |
| Hammond, Nicholas |
'Levez le rideau': Images of the Theatre in Pascal's Pensées. |
XLVII/3 (1993), 276 |
| James, E.D. |
The Problem of sufficient grace and the Lettres provinciales. |
XXI/3 (1967), 205 |
| Knee, Philip |
Pascal, Nicole et la morale des Lumières. |
LII/1 (1998), 17 |
| Ladborough, R.W. |
Pepys and Pascal. |
X/2 (1956), 133 |
| Mayer, J.-P. |
Pascal relu: un nouvel arrangement de la Pensée sur la 'Disproportion de l'homme'. |
XXIX/3 (1975), 257 |
| Mayer, J.-P. |
'La Disproportion de l'homme': A Reply. |
XXXII/2 (1978), 145 |
| Moles, Elizabeth |
Pascal's use of abêtir. |
XIX/4 (1965), 379 |
| Moles, Elizabeth |
Pascal's political views. |
XXI/4 (1967), 302 |
| Moles, Elizabeth |
Logic and Singularity in Pascal's Wager. |
XXXVI/4 (1982), 397 |
| Pugh, Anthony R. |
'La Disproportion de l'homme': Pascal's editors defended. |
XXXI/3 (1977), 277 |
| Pugh, Anthony R. |
'La Disproportion de l'homme': A rejoinder. |
XXXII/3 (1978), 275 |
| Vamos, Mara |
A note on Petty, Pepys and Pascal. |
XXII/4 (1968), 302 |
| Wetsel, David |
Pascal and Mitton: Theological Objections to 'l'honnêteté' in the Pensées. |
XLVII/4 (1993), 404 |
| Barnwell, H.T. |
From La Thébaïde to Andromaque. |
V/1 (1951), 30 |
| Barnwell, H.T. |
The simplicity of Racine-yet again. |
XXXI/4 (1977), 394 |
| Biard, J.D. |
Le Ton élégiaque dans Bérénice. |
XIX/1 (1965), 1 |
| Brody, J. |
Racine's Thébaïde: an analysis. |
XIII/3 (1959), 199 |
| Butler, Philip |
La Tragédie de Bérénice. |
III/3 (1949), 201 |
| Campbell, John |
The Tragedy of Britannicus. |
XXXVII/4 (1983), 391 |
| Campbell, John |
The God of Athalie. |
XLIII/4 (1989), 385 |
| Campbell, John |
Racine and the Augustinian Inheritance: The Case of Andromaque. |
LIII/3 (1999), 279 |
| Chapman, J.Anne |
The Effacement of the Racinian Image. |
XV/2 (1961), 122 |
| Chicoteau, Marcel |
Racine's mystic vocabulary in an early poem. |
II/3 (1948), 253 |
| Delbouille, Paul |
Les tragédies de Racine, reflets de l'inconscient ou chronique du siècle? |
XV/2 (1961), 103 |
| France, Peter |
Oreste and Orestes. |
XXIII/2 (1969), 131 |
| Hawcroft, Michael |
French Classical Drama and the Tension of Utterance: Racine, Molière, and Madame de Saint-Balmon. |
LI/4 (1997), 395 |
| Hubert, J.D. |
The timeless temple in Athalie. |
X/2 (1956), 140 |
| Kirkness, W.John |
The Language of Racine's Alexandre and its Lexical Links with Cinna and Attila. |
XLII/1 (1988), 33 |
| Knight, R.C. |
Sophocle et Euripide ont-ils "formé" Racine? |
V/2 (1951), 126 |
| Knight, R.C. |
A further note on Racine's Thébaïde. |
X/3 (1956), 254 |
| Knight, R.C. |
Racine family papers. |
XIV/3 (1960), 235 |
| May, Georges |
Comment Racine distribuait ses rôles. |
IV/4 (1950), 306 |
| Mourgues, O. de |
Tragedy and moral order in Racine. |
XX/2 (1966), 123 |
| O'Regan, M.J. |
Genealogical periphrasis in Racine. |
XVI/1 (1962), 14 |
| Parish, Richard |
'Un Calme si funeste': Some Types of Silence in Racine. |
XXXIV/4 (1980), 385 |
| Pommier, Jean |
Sur la langue de Racine. |
V/4 (1951), 335 |
| Scholar, Richard |
Je ne sais quelle grâce: Esther before Assuerus. |
LVI/3 (2002), 317 |
| Seznec, Alain |
Notes on a Concordance of Racine. |
XXVI/1 (1972), 9 |
| Ullmann, Stephen |
The vitality of the past definite in Racine. |
II/1 (1948), 35 |
| Worth, Valerie |
The Shape of Things to Come: Racine's Revisions of Alexandre (1666-1697). |
XLIV/4 (1990), 385 |
| Yarrow, P.J. |
A note on Racine's Thébaïde. |
X/1 (1956), 20 |
| Zimmermann, Eléonore M. |
'Théramène, fuyons ...'. |
XXV/4 (1971), 401 |